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Justified because she advertises it as bear-themed carving.

Every single carving the witch has made is a bear.

Animal Motifs: The DunBroch clan symbol is three black bears.

The exceptions to this are the occasional Gaelic word or phrase, Young MacGuffin who speaks in Doric, and an improvised line borrowed from Oor Wullie, all Played for Laughs.

The language spoken throughout the film is primarily Modern English with a faint Scots accent and is easily understood by most Anglophones.

The castle has features not introduced until the very end of the medieval period, yet looks like it's been there for centuries.

One mainly justified through Rule of Funny: the witch uses a welding mask when making the spell.

The sleeves on Merida's dresses are too tight to have existed before sewing technology developed in the 14th century (unless she sews them up each morning), and the slashes on the shoulders and elbows are a fashion of Renaissance Italy.

Wearing the kilt was outlawed in the mid 18th century after some rebellions, and was re-legalized near the end of that century, just in time for it to be romanticized by Sir Walter Scott and woad warpaint (Iron Age) forks and tea (didn't make landfall in Britain till mid-17th century) bagpipes (14th century) note Originating in such Middle Eastern countries as Turkey, Persia, Mesopotamia, and later found in Spain, Portugal, and throughout Eastern Europe the carnyx (Iron Age) and bears (extinct in Scotland since the 9th-10th century at the latest) at the same time.

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The tartan (15th-16th century), kilt (18th century) note Scottish clans have been wearing kilts in the style as seen in the movie since the 16th century.

That being said, there are references to recently fighting both the Romans (a 5th century at the latest) and the Vikings (8th-11th century), and there's a hodgepodge of features (clothing, weaponry, and the like) from a wide range of eras.

Anachronism Stew: Where to begin? The film is meant to portray a medieval fantasy Scotland, so The Time of Myths can be easily invoked.

Ambiguous Situation: At the end, did Elinor transform back to a human because the sunlight had to shine on the tapestry before it'd work ('mend the bond' literally), or did she transform because Merida finally acknowledged that she was the cause of her mother's predicament and tearfully told her she loved her ('mend the bond' metaphorically?) Or were both needed?.

All of Them: Merida offers to use her expensive necklace to buy all the woodcarvings from the witch under the condition of also purchasing a spell.

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Also, just as King Fergus has restored order during the brawl between Clans MacGuffin, Mac Kintosh and Dingwall, the boys drop a mace on Lord Dingwall's foot and his scream of pain starts the whole bloody thing up again.Agony of the Feet: During a caber-tossing game, a man has a caber land on his foot, making him scream in pain.

Considering how Mor'du's story wound up, she either thought that granting Merida's request would release Mor'du and end well for her or just didn't care.

Aesop Enforcer: The witch serves as an Enforcer to both Merida and Mor'du.

Adventurous Irish Violins: Adventurous Scottish Violins, befitting the ancient Celtic setting, the musical score of Brave contains this trope.

Actually That's My Assistant: A humorous example occurs with Wee Dingwall and a buff Dingwall clansman when Lord Dingwall is introducing his son.

Elinor tells them to knock it off, but you can see her smirking.

Actually Pretty Funny: During the archery tournament, Fergus and Merida exchange quips about the princes and their performance.

Actor Allusion: This isn't the first time that Emma Thompson has played a Proper Lady named Elinor.

It gets further shredded after she is thrown off Angus and runs through the forest. Rather than the skirt, it's the shoulders and back that get ripped when she deliberately flexes to overcome the restrictive clothes.

Action Dress Rip: Merida during her archery contest.

Dingwall: I was aiming at you, you big tumshie!